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NOTE: Brief and Comprehensive Tables of Contents follow. Contents by Genre  Preface to Instructors   I: THINKING CRITICALLY ABOUT LITERATURE    1: How to Write an Effective Essay about Literature: A Crash Course        The Basic Strategy   Reading Closely: Approaching a First Draft       Checklist: Generating Ideas for a Draft   Writing and Revising: Achieving a Readable Draft  Checklist: Writing and Revising a Draft Revising: Working with Peer Review Preparing the Final Draft    2: What is Critical Thinking about Literature?: A Crash Course   The Basic Strategy   What Is Critical Thinking?   How Do We Engage in Critical Thinking?  Close Reading          Checklist: Close Reading   Analysis:  Inquiry, Interpretation, Argument         Checklist:     Inquiry and Question-Asking         Checklist:  Interpretation         Checklist:  Argument   Comparison and Synthesis         Checklist:  Comparison and Synthesis   Revision and Self-Awareness   Standing Back: Kinds of Writing   Non-Analytic vs. Analytic Writing      3: The Writer as Reader                  Reading and Responding   KATE CHOPIN • Ripe Figs   Reading as Re-creation   Reading for Understanding: Collecting Evidence and Making Reasonable Inferences   Reading with Pen in Hand: Close Reading and Annotation    Sample Student Work: Annotation        Reading for Response: Recording First Reactions   Sample Student Work: Response Writing        Reading for Inquiry: Ask Questions and Brainstorm Ideas   Sample Student Work: Inquiry Notes        Reading in Context: Identifying Your Audience and Purpose   From Reading to Writing: Developing an Analytical Essay with an Argumentative Thesis   Sample Student Analytical Essay: “Images of Ripening in Kate Chopin’s ‘Ripe Figs’”   The Analytical Essay: Argument and Structure Analyzed   The Writing Process: From First Responses to Final Essay  Other Possibilities for Writing   From Reading to Writing: Moving from Brainstorming to an Analytical Essay   BRUCE HOLLAND ROGERS • Three Soldiers     The Writing Process: From Response Writing to Final Essay     Sample Student Work: Response Writing   Sample Student Analytical Essay: “Thinking about Three Soldiers Thinking”   The Analytical Essay: The Development of Ideas Analyzed   From Reading to Writing: Moving from a Preliminary Outline to an Analytical Essay   RAY BRADBURY • August 2026: There Will Come Soft Rains   The Writing Process: From Outlining to Final Essay    Sample Student Work: Outlining  Sample Student Analytical Essay: “The Lesson of ‘August 2026’”     Your Turn:  Additional Stories for Analysis   MICHELE SERROS • Senior Picture Day   HARUKI MURAKAMI • On Seeing the 100% Perfect Girl One Beautiful April Morning   JOHN UPDIKE  •  A & P      4: The Reader as Writer                  Developing Ideas through Close Reading and Inquiry        Getting Ideas     Annotating a Text     KATE CHOPIN • The Story of an Hour   Brainstorming Ideas    Focused Freewriting   Sample Student Work: Freewriting   Listing   Sample Student Work: Listing   Asking Questions   Sample Student Work: Inquiry Notes   Keeping a Journal         Sample Student Work: Journal-writing   Developing a Thesis through Critical Thinking  Arguing with Yourself   Arguing a Thesis    Checklist: Thesis Sentence   From Reading to Writing to Revising: Drafting an Argument in an Analytical Essay  Sample Preliminary Draft of Student’s Analytical Essay: “Ironies in an Hour”  Revising an Argument   Outlining an Argument   Soliciting Peer Review, Thinking about Counterarguments   From Reading to Writing to Revising: Finalizing an Analytical Essay   Sample Final Draft of a Student’s Analytical Essay: “Ironies of Life in Kate Chopin’s ‘The Story of an Hour’”   The Analytical Essay: The Final Draft Analyzed   From Reading to Writing to Revising: Finalizing an Analytical Essay   KATE CHOPIN • Désirée’s Baby   Sample Student Analytical Essay: “Race and Identity in ‘Désirée’s Baby’”   From Reading to Writing to Revising: Drafting a Comparison Essay   KATE CHOPIN • The Storm   Sample Student Work: Comparison Notes   Sample Student Comparison Essay: “Two New Women”    The Comparison Essay: Organization Analyzed     Your Turn: Additional Stories for Analysis   DAGOBERTO GILB • Love in L.A.   ELIZABETH TALLENT • No One’s a Mystery    JUNOT DIAZ  •  How to Date a Browngirl, Blackgirl, Whitegirl, or Halfie   T. CORAGHESSAN BOYLE • Greasy Lake     MARY ANNE HOOD  •  How Far She Went      5:  The Pleasures of Reading, Writing and Thinking about    Literature      The Pleasures of Literature   ALLEN WOODMAN • Wallet    The Pleasures of Analyzing the Texts that Surround Us     The Pleasures of Authoring Texts    The Pleasures of Interacting with Texts    Interacting with Fiction: Literature as Connection    JAMAICA KINCAID • Girl   Sample Student Personal Response Essay: “The Narrator in Jamaica Kincaid’s ‘Girl’: Questioning the Power of Voice”   Interacting with Graphic Fiction: Literature as (Making and Breaking) Rules         LYNDA BARRY • Before You Write    Interacting with Poetry: Literature as Language   JULIA BIRD • 14: a txt msg pom.   Interacting with Drama: Literature as Performance        OSCAR WILDE• excerpt from The Importance of Being Ernest   Interacting with Essays: Literature as Discovery   ANNA LISA RAYA • It’s Hard Enough Being Me     Your Turn:  Additional Stories, Poems, Plays and Essays for Pleasurable Analysis   Poems ALBERTO RIOS  •  Nani   JIMMY SANTIAGO BACA  •  Green Chili   HELEN CHASIN  •  The Word Plum   WILLIAM CARLOS WILLIAMS • This Is Just to Say   GARY SOTO •  Oranges   SARAH N. CLEGHORN • The Golf Links   STEVIE SMITH  •  Not Waving but Drowning   Stories MARGARET ATWOOD •  Happy Endings   AMBROSE BIERCE • An Occurrence at Owl Creek Bridge     Play MICHAEL GOLAMCO  • The Heartbreaker   Essay GEORGE SAUNDERS Commencement Speech on Kindness       II: WRITING ARGUMENTS ABOUT LITERATURE  6  Close Reading: Paraphrase, Summary, and                             Explication          What Is Literature?   Literature and Form   Form and Meaning   ROBERT FROST • The Span of Life   Close Reading: Reading in Slow Motion   Exploring a Poem and Its Meaning       LANGSTON HUGHES • Harlem   Paraphrase    Sample Student Work: Paraphrase   Summary     Sample Student Work: Summary   Explication   Working Toward an Explication  Sample Student Work: Annotation Sample Student Work: Journal Entries Sample Student Work: Listing Sample Student Explication Essay: “Langston Hughes’s ‘Harlem’”   Explication as Argument   CATHY SONG • Stamp Collecting Sample Student Argumentative Explication Essay: “Giving Stamps Personality in ‘Stamp Collecting’”  Checklist: Drafting an Explication   Your Turn:  Additional Poems for Explication   WILLIAM SHAKESPEARE  •  Sonnet 73 JOHN DONNE • Holy Sonnet XIV  EMILY BRONTË • Spellbound   LI-YOUNG LEE • I Ask My Mother to Sing   RANDALL JARRELL • The Death of the Ball Turret Gunner      7 Analysis: Inquiry, Interpretation and Argument         Analysis   Understanding Analysis as a Process of Inquiry, Interpretation, Argument Analyzing a Story from the Hebrew Bible: The Judgment of Solomon   The Judgment of Solomon   Developing an Analysis of the Story   Opening Up Additional Ways to Analyze the Story   Analyzing a Story from the New Testament: The Parable of the Prodigal Son   The Parable of the Prodigal Son   Asking Questions that Trigger an Analysis of the Story  From Inquiry to Interpretation to Argument: Developing an Analytical Paper   ERNEST HEMINGWAY • Cat in the Rain Close Reading Sample Student Work: Annotations Inquiry Questions     Sample Student Work: Inquiry Notes Interpretation Brainstorming Sample Student Work: Journal Writing      The Argument-Centered Paper           Sample Student Argument Paper: “Hemingway’s American Wife”       From Inquiry to an Analytical Paper: A Second Example        Sample Student Work: Inquiry Notes     Sample Student Work: Journal Writing JAMES JOYCE • Araby      Sample Student Analytical Essay: “‘Araby’s’ Everyday and Imagined Setting” From Inquiry to Interpretation to Argument: Maintaining an Interpretation in an Analytical Paper     APHRA BEHN • Song: Love Armed      Maintaining Interpretive Interest Sample Student Work: Inquiry Notes     Sample Student Work: Journal Writing     Sample Student Essay: “The Double Nature of Love”     Checklist: Editing a Draft     Your Turn:  Additional Short Stories and Poems for Analysis   EDGAR ALLAN POE • The Cask of Amontillado   LESLIE MARMON SILKO • The Man to Send Rain Clouds   BILLY COLLINS  •  Introduction to Poetry ROBERT FROST • The Road Not Taken   JOHN KEATS  •  Ode on a Grecian Urn  MARTIN ESPADA  •  Bully    8  Pushing Analysis Further: Re-Interpreting and                              Revision     Interpretation and Meaning   Is the Author’s Intention a Guide to Meaning?   What Characterizes a Sound Interpretation?   Interpreting Pat Mora’s “Immigrants”   PAT MORA • Immigrants    Checklist: Writing an Interpretation   Strategy #1: Pushing Analysis by Rethinking First Responses JEFFREY WHITMORE • Bedtime Story   Sample Student Work: Response Writing Revisited DOUGLAS L. HASKINS • Hide and Seek  Sample Student Work: Response Writing Revisited MARK PLANTS • Equal Rites   Sample Student Work: Response Writing Revisited Strategy #2: Pushing Analysis by Exploring Literary Form LANGSTON HUGHES • Mother to Son    Sample Student Work: Annotation Exploring Form    Sample Student Work: Inquiry Notes Exploring Form   Sample Student Analytical Essay: “Accepting the Challenge of a Difficult Climb in Langston Hughes’ ‘Mother to Son’” Strategy #3: Pushing Analysis by Emphasizing Concepts and Insights      ROBERT FROST • Stopping by Woods on a Snowy Evening   Sample Student Analytical Essay: “Stopping by Woods–and Going On”   Analyzing the Analytical Essay’s Development of a Conceptual Interpretation Sample Student Analytical Essay: “ ‘Stopping by Woods on a Snowy Evening’ as a Short Story”   Strategy #4: Pushing Analysis Through Revision           Revising for Ideas vs. Mechanics           Revising Using Instructor Feedback, Peer Feedback, and Self-Critique            Examining a Preliminary Draft with Revision in Mind HA JIN •  Saboteur             Sample Student Preliminary Draft of an Analytical Essay: “Individual and Social Morals in Ha                           Jin’s ‘Saboteur’”          Developing a Revision Strategy: Thesis, Ideas, Evidence, Organization, Correctness          Sample Student Final Draft of an Analytical Essay: “Individual and Social Morals in Ha                           Jin’s ‘Saboteur’”   Your Turn: Additional Poems and Stories for Interpretation   T. S. ELIOT • The Love Song of J. Alfred Prufrock   JOHN KEATS • Ode on a Grecian Urn   THOMAS HARDY  •  The Man He Killed ANNE BRADSTREET • Before the Birth of One of Her Children CHRISTINA ROSSETTI • After Death FRED CHAPELLE •  Narcissus and Echo  JOYCE CAROL OATES • Where Are You Going, Where Have You Been?   RAYMOND CARVER • Cathedral        9   Comparison and Synthesis    Comparison and Critical Thinking  Organizing a Comparison Paper Comparison and Close Reading  Comparison and Asking Questions  Comparison and Analyzing Evidence       Sample Student Work: Comparison Arguments Comparison and Arguing with Yourself E. E. CUMMINGS • Buffalo Bill ’s        Checklist: Developing a Comparison Synthesis Through Close Reading: Analyzing a Revised Short Story RAYMOND CARVER • Mine   RAYMOND CARVER • Little Things        Sample Student Writing: Innovative Listing Synthesis Through Building a Concept Bridge: Connecting Two Poems THYLIAS MOSS • Tornadoes KWAME DAWES • Tornado Child Sample Student Writing: Innovative Response Writing Synthesis Using Theme SANDRA CISNEROS •  Barbie-Q  MARYANNE O’HARA •Diverging Paths and All That JAYNE ANNE PHILLIPS •  Sweethearts  Sample Student Writing:  Innovative Mapping Synthesis Using Form WILLIAM SHAKESPEARE • Sonnet 18:Shall I Compare Thee to a Summer’s Day? HOWARD MOSS • Shall I Compare Thee to a Summer’s Day Sample Student Comparison Essay: “A Comic Re-Writing of a Shakespeare Sonnet” Checklist: Revising a Comparison               Your Turn:  Additional Poems and Stories for Comparison and Synthesis Poetry “Carpe diem” poems ROBERT HERRICK • To the Virgins, to Make Much of Time   CHRISTOPHER MARLOWE • The Passionate Shepherd to His Love   SIR WALTER RALEIGH • The Nymph’s Reply to the Shepherd   ANDREW MARVELL • To His Coy Mistress   JOHN DONNE • The Bait     “blackberry” poems GALWAY KINELL •Blackberry Eating  SYLVIA PLATH • Blackberrying  SEAMUS HEANEY •Blackeberry-Picking  YUSEF KOMUNYAKAA •Blackberries   “America” poems WALT WHITMAN • I Hear America Singing LANGSTON HUGHES •  I, Too [Sing America]   Stories Stories about reading and writing JULIO CORTAZAR •  Continuity of Parks A.M. HOMES • Things You Should Know   Stories about grandmothers LAN SAMANTHA CHANG •  Water Names KATHERINE ANNE PORTER • The Jilting of Granny Weatherall      10:  Research: Writing with Sources        Creating a Research Plan      Enter Research with a Plan of Action      What Does Your Own Institution Offer?      Plan the Type of Research You Want to Do Selecting a Research Topic and Generating Research Questions      Use Close Reading as Your Starting Point      Select Your Topic      Skim Resources Through Preliminary Research      Narrow Your Topic and Form a Working Thesis      Sample Student Work: Digital Research Folder Assignment and Research Plan Notes      Sample Student Work: Digital Research Folder “Working Thesis” Notes      Generate Key Concepts as Keywords      Create Inquiry Questions      Sample Student Work: Digital Research Folder “Research Keywords” and “Inquiry Questions” Notes  Locating Materials Through Productive Searches Generate Meaningful Keywords Checklist:  Creating Meaningful Keywords for a Successful Search Using Academic Databases to Locate Materials      Search Full-Text Academic Databases      Search the MLA Database      Perform Advanced Keyword Searches Sample Student Work: Searching the Academic Database  Using the Library Catalog to Locate Materials         Locate Books and Additional Resources         Sample Student Work: Searching the Library Catalog Using the Internet to Perform Meaningful Research        Sample Student Work: Searching the Internet Evaluating Sources for Academic Quality        Checklist: Evaluating Web Sites for Quality      Sample Student Work: Evaluating Sources for Academic Quality Evaluate Sources for Topic “Fit”      Checklist: Evaluating Sources for Topic “Fit”      Sample Student Work: Evaluating Sources for Topic “Fit” Taking Notes on Secondary Sources      A Guide to Note-Taking      Sample Student Work: Annotation of Research Sources      Sample Student Work: Digital Research Folder Critical Thinking Notes Drafting the Paper Focus on Primary Sources Integrate Secondary Sources   Create a Relationship Between Your Writing and the Source Surround the Source with Your Writing Agree with a Source in Order to Develop Your Ideas Sample Student Work: Source Integration Avoiding Plagiarism   Sample Student Research Essay: “Dickinson’s Representation of Changing Seasons and Changing Emotions”  III: ANALYZING LITERARY FORMS AND ELEMENTS       11: Reading and Writing about Essays     Types of Essays   Elements of Essays The Essayist’s Persona   Voice   Tone   Topic and Thesis   BRENT STAPLES • Black Men and Public Space  Checklist: Getting Ideas for Writing about Essays   Student Writing Portfolio (summary paper): Brent Staples “Black Men and  Public Space” Your Turn: Additional Essays for Analysis   LANGSTON HUGHES • Salvation   LAURA VANDERKAM • Hookups Starve the Soul   STEVEN DOLOFF • The Opposite Sex   GRETEL EHRLICH • About Men      12: Reading and Writing about Stories     Stories True and False   GRACE PALEY • Samuel   Elements of Fiction   Character   Plot Foreshadowing   Setting and Atmosphere   Symbolism   Narrative Point of View   Style and Point of View   Theme   WILLIAM FAULKNER • A Rose for Emily    Checklist: Getting Ideas for Writing about Stories   Student Writing Portfolio (analysis paper):  William Faulkner “A Rose for  Emily”     Your Turn: Additional Stories for Analysis   KATHERINE MANSFIELD   •  Miss Brill TIM O’BRIEN • The Things They Carried   Gabriel García Márquez • A Very Old Man with Enormous Wings: A Tale for Children   An Author In Depth:  Flannery O’Connor FLANNERY O’CONNOR • A Good Man Is Hard to Find   Remarks from Essays and Letters   From “The Fiction Writer and His Country”   From “Some Aspects of the Grotesque in Southern Fiction”   From “The Nature and Aim of Fiction”   From “Writing Short Stories”   On Interpreting “A Good Man Is Hard to Find”        “A Reasonable Use of the Unreasonable”        13: Reading and Writing about Graphic Fiction       Letters and Pictures, Words and Images GRANT WOOD • Death on the Ridge Road   Reading an Image: A Short Story Told in One Panel   TONY CARRILLO • F Minus   Elements of Graphic Fiction      Visual Elements      Narrative and Graphic Jumps      Graphic Style Reading a Series of Images: A Story Told in Sequential Panels   ART SPIEGELMAN • Nature vs. Nurture   Checklist: Getting Ideas for Writing Arguments about Graphic Fiction Your Turn: Additional Graphic Fiction for Analysis WILL EISNER • Hamlet on a Rooftop   An Example of a Graphic Adaptation R. CRUMB and DAVID ZANE MAIROWITZ • A Hunger Artist      14:  Reading and Writing about Plays      Types of Plays   Tragedy   Comedy   Elements of Drama   Theme   Plot   Gestures   Setting   Characterization and Motivation   Checklist: Getting Ideas for Writing Arguments about Plays   Thinking about a Filmed Version of a Play   Getting Ready to Write about a Filmed Play  Checklist: Writing about a Filmed Play   Student Writing Portfolio (comparison paper): Susan Glaspell “Trifles” and “A Jury of Her Peers” Susan Glaspell • Trifles   Susan Glaspell • A Jury of Her Peers (short story version of play)     Your Turn: Additional Plays for Analysis A Modern Comedy   DAVID IVES • Sure Thing   A Note on Greek Tragedy Sophocles • Antigone    An Author In Depth:  WILLIAM SHAKESPEARE A Note on the Elizabethan Theater   A Note on Hamlet on the Stage   A Note on the Text of Hamlet   WILLIAM SHAKESPEARE • The Tragedy of Hamlet, Prince of Denmark   ANNE BARTON • The Promulgation of Confusion   STANLEY WELLS • On the First Soliloquy   ELAINE SHOWALTER • Representing Ophelia   BERNICE W. KLIMAN • The BBC Hamlet: A Television Production   WILL SARETTA • Branagh’s Film of Hamlet      15: Reading and Writing about Poems     Elements of Poetry   The Speaker and the Poet   EMILY DICKINSON • I’m Nobody! Who are you?   EMILY DICKINSON • Wild Nights–Wild Nights   The Language of Poetry: Diction and Tone        WILLIAM SHAKESPEARE • Sonnet 146        Figurative Language      WILLIAM SHAKESPEARE • Sonnet 130      Imagery and Symbolism      EDMUND WALLER • Song (Go, lovely rose)      WILLIAM BLAKE • The Sick Rose          Verbal Irony and Paradox      Structure Rhythm and Versification: A Glossary for Reference      Meter      Patterns of Sound      Stanzaic Patterns      BILLY COLLINS • Sonnet       Blank Verse and Free Verse        Checklist: Getting Ideas for Writing Arguments about Poems Student Writing Portfolio (explication paper): Gwendolyn Brooks “kitchenette building”     GWENDOLYN BROOKS  •  kitchenette building   Your Turn: Additional Poems for Analysis ROBERT BROWNING • My Last Duchess   E. E. CUMMINGS • anyone lived in a pretty how town   SYLVIA PLATH • Daddy   GWENDOLYN BROOKS • We Real Cool   ETHERIDGE KNIGHT • For Malcolm, a Year After   ANNE SEXTON • Her Kind   JAMES WRIGHT • Lying in a Hammock at William Duffy’s Farm in Pine Island, Minnesota   An Author in Depth: Robert Frost   Robert Frost on Poetry: The Figure a Poem Makes ROBERT FROST • The Pasture   ROBERT FROST • Mowing   ROBERT FROST • The Wood-Pile   ROBERT FROST • The Oven Bird   ROBERT FROST • The Need of Being Versed in Country Things   ROBERT FROST • The Most of It   ROBERT FROST • Design   PART IV: ENJOYING LITERARY THEMES: A THEMATIC ANTHOLOGY    16: The World around Us                Essays   HENRY DAVID THOREAU   •   From Walden BILL McKIBBEN • Now or Never   Stories   AESOP • The Ant and the Grasshopper   AESOP • The North Wind and the Sun   JACK LONDON • To Build a Fire   SARAH ORNE JEWETT • A White Heron   PATRICIA GRACE • Butterflies   Poems   MATTHEW ARNOLD • In Harmony with Nature  THOMAS HARDY • Transformations  GERARD MANLEY HOPKINS • God’s Grandeur   WALT WHITMAN • A Noiseless Patient Spider   EMILY DICKINSON • A Narrow Fellow in the Grass   EMILY DICKINSON • There’s a certain Slant of light EMILY DICKINSON  • The name–of it–is “Autumn” JOY HARJO • Vision   MARY OLIVER • The Black Walnut Tree   KAY RYAN • Turtle   Chapter Overview: Looking Backward/Looking Forward             17:  Technology and Human Identity Essay NICHOLAS CARR •  Is Google Making Us Stupid?   Stories KURT VONNEGUT JR. • Harrison Bergeron   AMY STERLING CASIL • Perfect Stranger   MARK TWAIN • A Telephonic Conversation DOROTHY PARKER  • A Telephone Call MARIA SEMPLE • Dear Mountain Room Parents  ROBIN HEMLEY  •  Reply All JOHN CHEEVER  •  The Enormous Radio RAY BRADBURY  •  The Veldt STEPHEN KING  •  Word Processor of the Gods KIT REED  •  The New You Poems      WALT WHITMAN • To a Locomotive in Winter (from Leaves of Grass)      EMILY DICKINSON  •  I Like to see it lap the Miles      LISEL MUELLER • The End of Science Fiction      DANIEL NYIKOS • Potato Soup       A. E. STALLINGS • Sestina: Like       PHILIP NIKOLAYEV • Dodging 1985       MARCUS WICKER • Ode to Browsing the Web  Play LUIS VALDEZ • Los Vendidos   Chapter Overview: Looking Backward/Looking Forward      18:  Love and Hate, Men and Women  Essay   JUDITH ORTIZ COFER • I Fell in Love, or My Hormones Awakened   Stories   ZORA NEALE HURSTON • Sweat   JHUMPA LAHIRI, This Blessed House  Poems   ANONYMOUS • Western Wind   WILLIAM SHAKESPEARE • Sonnet 116 (Let me not to the marriage of true minds)   JOHN DONNE • A Valediction: Forbidding Mourning   EDNA ST. VINCENT MILLAY • Love Is Not All: It Is Not Meat nor Drink   ROBERT BROWNING, Porphyria’s Lover NIKKI GIOVANNI • Love in Place   ANONYMOUS  •  Higamus, Hogamus  DOROTHY PARKER • General Review of the Sex Situation   FRANK O’HARA • Homosexuality   MARGE PIERCY • Barbie Doll   Play   TERRENCE McNALLY • Andre’s Mother   Chapter Overview: Looking Backward/Looking Forward      19: Innocence and Experience           Essay   GEORGE ORWELL • Shooting an Elephant   Stories   HANS CHRISTIAN ANDERSEN • The Emperor’s New Clothes   CHARLOTTE PERKINS GILMAN • The Yellow Wallpaper   JOHN STEINBECK • The Chrysanthemums   ALICE WALKER • Everyday Use     Poems   WILLIAM BLAKE • Infant Joy   WILLIAM BLAKE • Infant Sorrow   WILLIAM BLAKE • The Echoing Green   WILLIAM BLAKE • The Lamb   WILLIAM BLAKE • The Tyger   THOMAS HARDY, The Ruined Maid E. E. CUMMINGS • in Just-   LOUISE GLÜCK • The School Children   LINDA PASTAN • Ethics   THEODORE ROETHKE • My Papa’s Waltz   SHARON OLDS • Rites of Passage   NATASHA TRETHEWEY   •  White Lies      20: All in a Day’s Work                    Essay   Barbara Ehrenreich • Wal-Mart Orientation Program   Stories   Jacob Grimm and Wilhelm Grimm • Mother Holle   WILLIAM CARLOS WILLIAMS • The Use of Force   Will Eisner • The Day I Became a Professional   Daniel Orozco • Orientation   Lorrie Moore • How to Become a Writer  Poems   William Wordsworth • The Solitary Reaper  Carl Sandburg • Chicago   Gary Snyder • Hay for the Horses   Robert Hayden • Those Winter Sundays   Seamus Heaney • Digging   JULIA ALVAREZ • Woman’s Work   Marge Piercy • To be of use   JIMMY SANTIAGO BACA • So Mexicans Are Taking Jobs from Americans   Plays   Jane Martin • Rodeo   Arthur Miller • Death of a Salesman   Chapter Overview: Looking Backward/Looking Forward      21: American Dreams and Nightmares      Essays   CHIEF SEATTLE • My People  ELIZABETH CADY STANTON • Declaration of Sentiments and Resolutions   ABRAHAM LINCOLN • Address at the Dedication of the Gettysburg National Cemetery   STUDS TERKEL • Arnold Schwarzenegger’s Dream   ANDREW LAM • Who Will Light Incense When Mother’s Gone?   Stories   SHERMAN ALEXIE • The Lone Ranger and Tonto Fistfight in Heaven   RALPH ELLISON • Battle Royal   TONI CADE BAMBARA • The Lesson  AMY TAN • Two Kinds  Poems   ROBERT HAYDEN • Frederick Douglass   LORNA DEE CERVANTES • Refugee Ship   EDWIN ARLINGTON ROBINSON • Richard Cory   W. H. AUDEN • The Unknown Citizen   EMMA LAZARUS • The New Colossus   THOMAS BAILEY ALDRICH • The Unguarded Gates  JOSEPH BRUCHAC III • Ellis Island   AURORA LEVINS MORALES • Child of the Americas   GLORIA ANZALDÚA • To Live in the Borderlands Means You   MITSUYE YAMADA • To the Lady  NILA NORTHSUN • Moving Camp Too Far   YUSEF KOMUNYAKAA • Facing It   BILLY COLLINS • The Names   Play LORRAINE HANSBERRY • A Raisin in the Sun   Chapter Overview: Looking Backward/Looking Forward      22: Law and Disorder                      Essay  MARTIN LUTHER KING JR. •  Letter from Birmingham Jail   Stories   ELIZABETH BISHOP • The Hanging of the Mouse   URSULA K. LE GUIN • The Ones Who Walk Away from Omelas  SHIRLEY JACKSON • The Lottery   WILLIAM FAULKNER • Barn Burning   TOBIAS WOLFF • Powder   Poems   ANONYMOUS • Birmingham Jail   A. E. HOUSMAN • The Carpenter’s Son   A. E. HOUSMAN • Oh who is that young sinner   DOROTHY PARKER • Résumé   CLAUDE McKAY • If We Must Die   JIMMY SANTIAGO BACA • Cloudy Day   CAROLYN FORCHÉ • The Colonel   HAKI MADHUBUTI, The B Network JILL McDONOUGH, Three a.m. Plays   BILLY GODA • No Crime   Chapter Overview: Looking Backward/Looking Forward     23:  Journeys                                  Essays   JOAN DIDION • On Going Home   MONTESQUIEU • Persian Letters   Stories   NATHANIEL HAWTHORNE • Young Goodman Brown   EUDORA WELTY • A Worn Path   AMY HEMPEL • Today Will Be a Quiet Day   JAMES JOYCE • Eveline  Poems   JOHN KEATS • On First Looking into Chapman’s Homer  PERCY BYSSHE SHELLEY • Ozymandias   ALFRED, LORD TENNYSON • Ulysses   COUNTEE CULLEN •  Incident   WILLIAM STAFFORD • Traveling through the Dark   DEREK WALCOTT • A Far Cry from Africa   SHERMAN ALEXIE • On the Amtrak from Boston to New York City   WILLIAM BUTLER YEATS • Sailing to Byzantium   CHRISTINA ROSSETTI • Uphill   A Note on Spirituals  Anonymous • Swing Low, Sweet Chariot   Anonymous • Didn’t My Lord Deliver Daniel   Play HENRIK IBSEN • A Doll’s House   Chapter Overview: Looking Backward/Looking Forward     APPENDIX A: Writing about Literature: An Overview of Critical Strategies        					 				  Table of Contents 
        
BRIEF CONTENTS    
I. THINKING CRITICALLY ABOUT LITERATURE
1. How to Write an Effective Essay about Literature: A Crash Course
2. What is Critical Thinking about Literature? A Crash Course
3. The Writer as Reader
4. The Reader as Writer
5. The Pleasures of Reading, Writing and Thinking about Literature
II. WRITING ARGUMENTS ABOUT LITERATURE
6. Close Reading: Paraphrase, Summary, and Explication
7. Analysis: Inquiry, Interpretation and Argument
8. Pushing Analysis Further: Re-Interpreting and Revision
9. Comparison and Synthesis
10. Research: Writing with Sources
III. ANALYZING LITERARY FORMS AND ELEMENTS
11. Reading and Writing about Essays
12. Reading and Writing about Stories
13. Reading and Writing about Graphic Fiction
14. Reading and Writing about Plays
15. Reading and Writing about Poems
IV. ENJOYING LITERARY THEMES: A THEMATIC ANTHOLOGY
16. The World Around Us
17. Technology and Human Identity
18. Love and Hate, Men and Women
19. Innocence and Experience
20. All in a Day’s Work
21. American Dreams and Nightmares
22. Law and Disorder
23. Journeys
Appendix A: Writing About Literature: An Overview of Critical Strategies
Appendix B: Remarks about Manuscript Form
Literary Credits
Photo Credits
Index of Authors, Titles, and First Lines
Index of Terms
COMPREHENSIVE CONTENTS
 
Manual solution Revel for Literature for Composition: Reading and Writing Arguments About Essays, Stories, Poems, and Plays , 11th Edition for sale , Revel for Literature for Composition: Reading and Writing Arguments About Essays, Stories, Poems, and Plays , 11th Edition for sale , Revel for Literature for Composition: Reading and Writing Arguments About Essays, Stories, Poems, and Plays , 11th Edition pdf for sale , Sylvan Barnet, Tufts University William Burto, University of Massachusetts - Lowell William E. Cain, Wellesley College

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