Manual solution Music for Sightsinging, 6th Edition for sale

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Music for Sightsinging, 6th Edition by Robert W. Ottman, Emeritus, College of Music, University of North Texas ZIP OR PDF for sale 

***THIS IS NOT THE ACTUAL BOOK. YOU ARE BUYING the Test Bank in e-version of the following book***

Table of Contents

I. MELODY: DIATONIC INTERVALS. RHYTHM: DIVISION OF THE BEAT.

 1. RHYTHM: Simple Time (Meter); The Beat and its Division Into Two Parts.

 2. MELODY: Scale-line Melodies. RHYTHM: Simple Time; The Beat and its Division Into Two Parts.

 3. MELODY: Intervals from the Tonic Triad, Major Keys. RHYTHM: Simple Time.

 4. MELODY: Intervals from the Tonic Triad, Major Keys. RHYTHM: Compound Time; The Beat and its Division into Three Parts.

 5. Minor Keys; Intervals from the Tonic Triad. RHYTHM: Simple and Compound Time.

 6. Intervals from the Dominant (V) Triad; Major and Minor Keys. RHYTHM: Simple and Compound Time.

 7. The C Clefs: Alto and Tenor Clefs.

 8. MELODY: Further Use of Diatonic Intervals. RHYTHM: Simple and Compound Time.

 9. MELODY: Intervals from the Dominant Seventh Chord V7; Other Diatonic Intervals of the Seventh. RHYTHM: Simple and Compound Time.

II. MELODY: DIATONIC INTERVALS. RHYTHM: SUBDIVISION OF THE BEAT.

10. RHYTHM: The Subdivision of the Beat; The Simple Beat into Four Parts; The Compound Beat into Six Parts.

11. MELODY: Intervals from the Tonic and Dominant Triads. RHYTHM: Subdivision in Simple and Compound Time.

12. MELODY: Further Use of Diatonic Intervals. RHYTHM: Subdivision in Simple and Compound Time.

III. MELODY: CHROMATICISM. RHYTHM: FURTHER RHYTHMIC PRACTICES.

13. MELODY: Chromaticism (I): Chromatic Nonharmonic Tones; Dominant of the Dominant Harmony (V/V); Modulation to the Key of the Dominant.

14. MELODY: Chromaticism (II): Modulation to Closely Related Keys; Additional Secondary Dominant Harmonies.

15. RHYTHM: Syncopation.

16. RHYTHM and MELODY: Triplet Division of Undotted Note Values; Duplet Division of Dotted Note Values.

17. RHYTHM and MELODY: Changing Time Signatures; The Hemiola; Less Common Time Signatures.

18. RHYTHM and MELODY: Further Subdivision of the Beat; Slow Tempo.

19. MELODY: Chromaticism (III): Additional Uses of Chromatic Tones; Remote Modulation.

IV. THE MEDIEVAL MODES and TWENTIETH-CENTURY MUSIC.

20. MELODY: The Medieval Modes.

21. Twentieth Century Music.

Appendix: Musical Terms.

Manual solution Music for Sightsinging, 6th Edition for sale , Music for Sightsinging, 6th Edition for sale , Music for Sightsinging, 6th Edition pdf for sale , Robert W. Ottman, Emeritus, College of Music, University of North Texas